Commissions! Avengers! Spider-Man! Harley Quinn! More!

First up-- The Avengers! This commission was for me to draw the iconic scene from the first Avengers movie into a comic panel, but using 60's characters. I tried a grey Iron Man and a grey Hulk, but they disappeared into the background too much. I'm fairly sure Tony couldn't look up in that outfit. I had to lean him back. 😋 Here's a frame from The Avengers movie.

Next, a horizontal version of All-Star Comics #4, with three more characters added. I had to do some rearranging! If you think Flash runs funny, I just assumed he could speed-walk and still beat everyone!

A few weeks later, that commission lead to another version, this time with Wildcat instead of Wonder Woman. It also has a different logo and a few other minor tweaks. I completely redrew/recolored it!

I originally drew the following Spider-Man in a sketchbook, in black ink only. I thought it would be fun to spiffy it up and give it a color treatment. 

It is, of course, based on Amazing Fantasy #15.

Oh No! That reminds me-- I never posted this poster I did for a local comic convention! Dang. It's already come and gone. I was there. It was fun!

Next, I was asked to merely draw Harley Quinn and Poison Ivy. The situation was left up to me. I might have gotten a little carried away with roses.

Here's a commission of Golden Age Wildcat. As I was drawing it, I mentioned to my wife I’ve never quite understood the flappy things hanging down from his mask. She replied, "Oh, it’s like a bobcat." Ah. Bobcats DO have them. I guess it was the black costume throwing me. On a different note, I’m not sure how I neglected to draw pants on the bad guy. Insert your own story here.

Finally, a little-seen E-Man Annual printed by DC Comics, OR my latest commissioned artwork? YOU decide!

BIG Big Bang!

I recently had the privilege of drawing an alternative cover for a Big Bang Comics Kickstarter campaign. The comic is BIG, a "treasury-size" edition (8.7" x 13.3"), full color. Read more here and please consider backing the project. More info at--https://www.kickstarter.com/projects/ghostagents/big-big-bang-comics

Also, I have a wacky two-page comic story inside! Below is the first panel. 

Should be a fun book!

Four Really Unrelated Commissions!

First up, a commission of Ma Hunkel in her superhero identity, Red Tornado! I drew this one in my own natural style. (With a tip of the hat to Sheldon Mayer.) It's a sweet spot for me, a Golden Age character that's slightly cartoon-y.

And for something totally different--

Apparently there was a scandal during a chili cook-off involving store-bought chili. I was sent photos of the people involved and now it's a Cable #3 cover parody! Ha ha! Original--

The following commission was a request for Death from Neil Gaiman's Sandman series. In an attempt for give it my own spin, I asked if I could include the original Doom Patrol (or should we say "Doomed Patrol"). Happily the answer was yes! I first discovered comic books as a 5 year-old in a barber shop-- Metamorpho, Metal Men, and Doom Patrol. (Hmm. Probably all the titles that didn't sell at the dime store. They were coverless.) I didn't put any jokes in this one. (Unless you consider walking on sand in high heels funny.) For those who don't know, the Doom Patrol was killed in 1968 when their book was canceled.

And lastly, another left turn-- Rick & Morty run through Halo & Sprocket's world! I was surprised that Rick, Morty, and Sprocket all have the same kind of feet.

I have another H&S commission coming up soon, mixed with a "realistic" character. It should be fun!

If you've never read my Halo and Sprocket comics, you really should. It's some of my most thoughtful work. Available here!

Commissions - Covers Edition

Here's my recreation of X-Men #137. Admittedly, I added a few of my own elements.

The below commission is the first time I've created a "one second later" cover. It's based on World's Finest #3 from 1941. Batman looks funny without blue eyebrows.

Lastly, this commission is for someone with a red-headed spouse!

The title "Red & Ready" has a meaning to the married couple. All four panels are loosely based on existing covers, as per the request. Marvel Girl/Phoenix is from the X-men cover seen at the beginning of this post. Here are the others, for those curious--

All work is black ink on Bristol board, with digital color. I also supplied a one-off, large color print.

Super Antics #19

In the modern telling of Batman's origin, I've never thought a bat could fly through a pane of glass under its own power. Here's my unofficial contribution to the story.

Commissions! Crisis! Vartox! More!

This client's request was for an image of Crisis on Infinite Earths if it happened in the 60’s. I TRIED to keep it all serious, but Golden Age Green Lantern slipped by me a bit. (And yes, I know Supergirl’s skirt was blue during this period, but it looks sooooo much better as red.)

Here's the original 1985 cover by George Pérez.

This one might need a bit of explaining...

In February of 1974, the sci-fi movie ZARDOZ was released, starring Sean Connery.

Towards the end of that same year, DC Comics introduced a character named VARTOX in Superman #281. He looked suspiciously similar to Connery’s character. I received a commission request to draw Vartox in a "Curt Swan" style and invoke the feel of the Zardoz movie poster.

The above image is a commission request that came from a person who created his own characters (when he was much younger) and now collects baseball-card size art of them. I asked if I could draw them in a retro "Marvel Value Stamp" style, and happily, he agreed! He also prints indy comics with these characters. If you're curious, you can see them here.

This one was a birthday present! I tried to write a gag that was occasion appropriate and felt like it came from the 60’s. It's for a collector who routinely commissions Sugar and Spike art for “Issue #100.” The actual S&S series ended at #99. Seems like they could have held on for one more “Special Cancellation Issue!” You can see ALL his Sugar and Spike commissions here.

The Voodoo That You Do

 

This commission was drawing the character from the cover of  Voodoo #8. I could have drawn a more accurate snake head, but I wanted to keep the goofiness of the original cover--

I tried my art with a small logo. It looks good aesthetically, but, really, Voodoo and Egypt don't go together. The original comic is from 1953. You know how it was.